books
as author
as editor
as contributor
web articles and interviews
http://www.salon.com/2002/10/02/classical/
http://www.csicop.org/si/show/sound_not_as_simple_as_it_sounds/
bibliography
“Spectral Music: Gérard Grisey, Tristan Murail and the Creation of a New Paradigm for Musical Composition.” In Leadership in Science and Technology: A Reference Handbook, edited by W.S. Bainbridge, pp.573-581. California: Sage Publications, Inc., 2011.
“What’s In a Name?” Published in conference proceedings from The First International Spectral Music Conference. 2008.
“Memory and Process.” Published in conference proceedings from The First International Spectral Music Conference. 2008.
“Analysis, Phenomenology, and Ethnomusicology in Spectral Music.” Published in conference proceedings from The First International Spectral Music Conference. 2008.
Axel Roebel and Joshua Fineberg. “Speech to chant transformation with the phase vocoder.” Presented at Interspeech 2007, Antwerp, Belgium. Published in conference proceedings.
Classical Music: Why Bother? Hearing the World of Contemporary Culture through a Composer’s Ears. New York: Routledge Press, 2006.
Joshua Fineberg and Pierre Michel, eds. Models and Artifice – The Collected Writings of Tristan Murail. Contemporary Music Review, Vol. 24 (2+3), 2005.
“Classical Music: Why Bother?” Written 2 October 2002, Salon <www.salon.com>.
Reprinted in English, French German Spanish and Italian as a two part serial in
Brass Bulletin V. 121 and 122, 2003.
Fineberg, Joshua, issue ed., Spectral Music: History and Techniques. Contemporary Music Review, Vol. 19 (2), 2000.
Fineberg, Joshua, issue ed., Spectral Music: Aesthetics and Music. Contemporary Music Review, Vol. 19 (3), 2000.
“Spectral Music.” Contemporary Music Review, Vol. 19 (2) 2000.
“Appendix I – Guide to the Basic Concepts and Techniques of Spectral Music”. Contemporary Music Review Vol. 19 (2) 2000.
“Appendix II – Musical Examples.” Contemporary Music Review, Vol. 19 (2) 2000.
“Appendix III – Issue Bibliography.” Contemporary Music Review Vol. 19 (3) 2000.
Modeling Tension and Attraction: Krumhansl, Lerdahl, Hannon, and Fineberg. Joint Session on Arts meets Science at the Toronto 2000 conference of the SMT, SMPC, AMS and CMS.
Perception of musical tension for non-tonal orchestral timbres and its relation to psychoacoustic roughness: D. Pressnitzer, S. McAdams, S. Winsberg, J. Fineberg. Perception and Psychophysics Vol 62 (1) 66-80, 2000.
An Object Oriented Visual Environment For Musical Composition: Gérard Assayag, Carlos Agon, Joshua Fineberg, Peter Hanappe. Proceedings of the International Computer Music Conference (ICMC) 97, Thessaloniki, 1997.
Problèmes de notation dans la musique contemporaine: Gérard Assayag, Carlos Agon, Joshua Fineberg, Peter Hanappe. Journées d’informatique musicale (JIM) 1997.
Roughness and Musical Tension of Orchestral Timbres: D. Pressnitzer, S. McAdams, S. Winsberg, J. Fineberg. International Conference for Music Perception and Cognition ICMPC 1996.
Research Report : Compositeur invité en recherche: Joshua Fineberg. IRCAM 1996.
Tension et rugosité dans la musique non-tonale: D. Pressnitzer, S. McAdams, S. Winsberg, J. Fineberg. Journées d’informatique musicale (JIM) 1996.
Iana~ (a real-time environment for analysis and extraction of frequency components of complex orchestral sounds and its application within a musical realization): Todor Todoroff, Eric Daubresse, Joshua Fineberg. International Computer Music Conference (ICMC) 1995.
Research Report : Compositeur invité en recherche: Joshua Fineberg. IRCAM 1995
Dissonance: Allegories of the Concept and Disintegrations of the Preconceptions: Steven McAdams, Suzanne Winsberg, Tristan Murail, Joshua Fineberg, Emmanuel Bigand, Carolyn Drake. 3rd International Conference for Music Perception and Cognition (ICMPC) 1994 (paper presented by J. Fineberg).
Kant: a Critique of Pure Quantification: Carlos Agon, Gérard Assayag, Joshua Fineberg, Camilo Rueda. International Computer Music Conference ICMC 1994.
Joshua Fineberg 